“You’ll be the last of the name,” he said. “Something tells me that. I’m glad you’re a fighter. I always prayed my child might be a fighter.” “I was just wondering,” she went on. “It was a pity, wasn’t it? I was silly and began to cry.”!

The works, since Arthur had shared the management, had gradually been regaining their position; and he had urged her to let him increase her allowance. “You have got to consider the cost of refusal,” she said. “His offer wasn’t help or neutrality: it was help or opposition by every means in his power. He left me in no kind of doubt as to that. He’s not used to being challenged and he won’t be squeamish. You will have the whole of his Press against you, and every other journalistic and political influence that he possesses. He’s getting a hold upon the working classes. The Sunday Post has an enormous sale in the manufacturing towns; and he’s talking of starting another. Are you strong enough to fight him?”

Space did not allow of any separation; broken Frenchmen and broken Germans would often lie side by side. Joan would wonder, with a grim smile to herself, what the patriotic Press of the different countries would have thought had they been there to have overheard the conversations. Neither France nor Germany appeared to be the enemy, but a thing called “They,” a mysterious power that worked its will upon them both from a place they always spoke of as “Back there.” One day the talk fell on courage. A young French soldier was holding forth when Joan entered the hut. “That’s the pity of it,” he said. “You’re wasting the most important thing about you, your personality. You would do more good in a drawing-room, influencing the rulers, than you will ever do hiding behind a pen. It was the drawing-room that made the French Revolution.” Joan heard a faint rustle and looked up. A woman had entered. It was the girl she had met there on a Christmas Day, a Miss Ensor. Joan had met her once or twice since then. She was still in the chorus. Neither of them spoke for a few minutes.